Winter

In this course we will read a broad range of Greek hymnic poetry, starting with Hesiod’s invocation to the Muses in the Theogony, followed by a selection from the Homeric Hymns, the Orphic hymns, and later literary or philosophical hymns by Callimachus and Proclus. Close readings will explore matters of language, genre, and literary tropes, as well as the evolving religious and cultural context of the hymns through the long chronological span in which the genre was productive in Greek antiquity. 

Does not fulfill PhD Writing requirement (no paper required)

From rapacious bird-women to a serpent-haired petrifactrix, monstrous women pervade ancient Greco-Roman mythology. Why are so many women portrayed as monsters or monstrous? In a 2013 essay, classicist Debbie Felton wrote these monstrous women “all spoke to men’s fear of women’s destructive potential. The myths then, to a certain extent, fulfill a male fantasy of conquering and controlling the female.” In a word, misogyny. In this course, we will interrogate the mutual influence of monstrousness and misogyny in ancient Greek and Roman mythology and its legacy in the intervening millennia. Through critical analysis of ancient source materials and their modern reception, we will explore and evaluate the monstrosity and misogyny of three case studies from ancient Greco-Roman mythology and its reception: Medea, the Furies, and Medusa. We will ask questions such as: how does mythologizing and storytelling encode cultural expectations onto women; how has media been used to support and subvert the patriarchy; what role does intersectionality play in Greco-Roman female monstrosity; how have monstrous women in Greco-Roman mythology influenced modern feminist and critical theory? We will also explore monstrous women in antiquity beyond Greco-Roman mythology, including monstrous portrayals of real women in Greco-Roman antiquity and depictions of monstrous women from other ancient cultures. Students will be assessed through regular discussion and/or blog posts, reflection writings, quizzes, a midterm essay, and a final project. The final project will allow students to synthesize and apply their knowledge with a topic of their own choice from Greco-Roman or other world mythologies in an analytic and/or creative format of their choice, such as a short podcast series, a digital museum exhibit, or a piece of creative writing.

CW: gender- and race-based violence, sexual violence, graphic violence, murder, incest, bestiality, child and animal abuse, suicide, domestic abuse.

The Consolation of Philosophy, which Boethius wrote in prison after a life of study and public service, offers a view on Roman politics and culture after Rome ceased to be an imperial capital.  The Consolation is also a poignant testament from a man divided between Christianity and philosophy. About 45 pages of the text are read in Latin, and all of it in English.   Secondary readings provide historical and religious context for the early sixth century AD. 

With emphasis on major stylistic trends in our authors.

This course examines the development of the Latin elegy from Catullus to Ovid. Our major themes are the use of motifs and topoi and their relationship to the problem of poetic persona.

This course is a reading of selections from Roman poetry, especially the works of Ovid. The class involves discussion of poetic language, versification, and the literary and historical context of Roman poetry.  

This course is intended for students with some experience in Latin to quickly review what they know and upgrade their skills in reading and understanding Latin. In this course, students will expand their vocabulary, learn more advanced grammar, and practice extensive reading. "Students who complete this course and its follow-up LATN 103​ will be ready for the intermediate sequence (LATN 20100-20200-20300)."

This course continues the study of basic Latin. Course work involves reading Latin, translating from Latin into English and vice versa, and study of grammar and vocabulary. Throughout the course, students will encounter authentic Latin text. Students who complete this course will be able to understand complex sentences, and often to combine them into larger units of meaning.

This is a course for intermediate and post-intermediate Greek students who are interested in exploring a less canonical genre and in developing their reading skills further. The novels give us glimpses of the Greek world and the wider Mediterranean that we do not often get elsewhere. What can we say about the world view of these authors and their audiences? We will read extensively in the various works (in Greek and in translation) and explore the scholarship around them. Student presentations should range widely from cosmopolitanism to gender roles, narratology, and the conventions of this emerging genre.

This course includes analysis and translation of the Greek text, discussion of Sophoclean language and dramatic technique, and relevant trends in fifth-century Athenian intellectual history.