2020-21

This course examines the phonological and morphological development of the Latin language from Indo-European to Vulgar Latin.  That development is studied both for its own sake and as a point of departure for introducing linguistic concepts useful for the analysis of other layers of language and of aspects of literary texts.  Discussion of major topics in phonology and morphology will alternate with close examination of sample or otherwise relevant texts and lexical families.  Major topics are: the principles of historical and comparative linguistics; the development of the Latin sound inventory; Latin and its sister languages; the creation of the Latin nominal and verbal systems; (some of) the varieties of classical Latin; and the influence of Greek on Latin. B. Krostenko. Autumn.

We shall read extensively in Latin from the Satires of Juvenal.  We shall focus on language, poetic technique, and understanding the text (also with the help of early Latin-language commentaries).  M. Allen. Spring.

Marcus Tullius Cicero (106–44 BC) was the most accomplished orator of the Roman Republic.  Among the most fascinating of his speeches are the three “Caesarian” speeches delivered to Julius Caesar on behalf of persons who had opposed Caesar in the civil war.  In the speeches Cicero, in many different ways, uses his hard-won rhetorical and literary skills, practiced over a lifetime in lawsuits, political debates, and philosophizing, not merely to speak on behalf of the immediate subjects of the speeches, but also to suggest social and political roles for Caesar himself.  Caesar’s place in the Roman world is as much a topic of the three speeches as the immediate issue of each speech.  The chief purpose of this class is to reach an understanding of the basic issues of each speech and the roles that Cicero scripts for Caesar in them. B. Krostenko. Autumn.

Tertullian was the first to attribute the authorship of the Epistle to the Hebrews to Barnabas, and that ascription found favor with no less an ancient figure as Jerome, and even with notable scholars of the late nineteenth and early 20th centuries, such as Albrecht Ritschl and Friedrich Blass. Although no one can know who wrote it, there are fruitful literary and thematic parallels between the Epistle that bears the name Barnabas and the canonical Hebrews, including their critique of Judaism and their interpretatio Christiana of the Hebrew Bible, with particular regard to Levitical institutions and the temple. We will read thoroughly the Greek text of each treatise with focus on the language and style of the two texts, their relation to Hellenistic Judaism, and their respective treatments of Hebrew Bible/Septuagintal themes. D. Martinez.  Winter.

In this course we will read book 1 of Thucydides, his description of the run-up to the Peloponnesian War, in Greek. We will pay attention to Thucydides' style and approach to historiography, sinking our teeth into this difficult but endlessly fascinating text.

We will read in Greek substantial parts of three of Aristophanes‘ plays and two of Menander’s. We will discuss and analyze various aspects of the evolution of Greek comedy, textual tradition, the language of comedy and its political background. Coursework will include translation as well as secondary readings. S. Torallas Tovar. Spring

This class will read selections from the poetry of the Hellenistic period, especially the hymns of Callimachus, the pastoral poetry of Theocritus, and the epic parody “The Battle of the Frogs and Mice.” Alongside these Hellenistic texts we will read some of their poetic predecessors (Homer, Hesiod, the Homeric Hymns, choral and monadic lyric), with an eye to the Hellenistic poets’ interest in poetic form, self-positioning, and play. E. Austin. Autumn.

A workshop for students who have completed coursework and qualifying exams, it aims to provide practical assistance and a collaborative environment for students preparing the dissertation prospectus. It will meet bi-weekly for two quarters. S. Torallas Tovar Autumn, Winter.

Ancient Greek tragedy has been of continuous interest to philosophers, whether they love it or hate it.  But they do not agree about what it is and does, or about what insights it offers.  This seminar will study the tragic festivals and a select number of tragedies, also consulting some modern studies of ancient Greek tragedy.  Then we shall turn to philosophical accounts of the tragic genre, including those of Plato, Aristotle, the Greek and Roman Stoics (especially Seneca), Lessing, Schlegel, Hegel, Schopenhauer, Nietzsche, Iris Murdoch, Sartre, and Bernard Williams. If we have time we will include some study of ancient Greek comedy and its philosophical significance. M. Nussbaum. Autumn. 

This two-quarter seminar, which fulfills the seminar requirement for graduates in History and Classics, seeks to explore how we might reconstruct the religious experience of the ancient Greeks through texts in translation (especially hymns), inscriptions, and material culture, paying particular attention to issues of methodology. The first quarter will be devoted to guided reading and discussion, focused on individual sanctuary sites, while the second quarter will be reserved for writing a major research paper. C. Faraone. J. Hall. Winter.