Graduate

Mastering Greek is an intensive Greek language course for pre-professional Hellenists. Do you find yourself fudging accents sometimes? Wondering about the use of infinitives versus participles? Pondering the future less vivid? Have you found yourself speaking Greek while looking in the mirror? This course will help you review Attic Greek from the level of the word to the short paragraph. Recommended for advanced undergraduates and graduate students, especially those who aspire to teach Greek. Assignments will include extensive written homework in Attic Greek, analytic exercises, creative writing exercises, as well as regular quizzes in order to advance to strong, active mastery of the language.  

This course will examine the iambic, elegiac, lyric, and epinician genres of archaic and classical Greece, including the poetry of Sappho, Archilochus, Corinna, Bacchylides, Pindar, and many other. We will focus on questions of performance, genre, and context; on the texts’ relationships to each other and other ancient poetic traditions; and to a broad range of cultural, social, and political aspects of the archaic and classical Greek world(s), including sex and sexuality, class, gender, and other forms of identity, and the relationship of the individual to the community. The mythological, dramatic, and formal poetic aspects of these poems will be explored as well as questions of meter and dialect. 

This is the second quarter of a two-part course that will cover the long life of ancient Greek poetry and prose, touching on many genres in their first forms: epic and hymns, history, oratory, and philosophical dialogues, poetry that is theogonic, iambic, elegiac, lyric, epinician, tragic, comedic, and dithyrambic. We will seek to discuss key moments, passages, and poems that give us entry to larger literary questions and themes. We will pay particular attention to details of genre, dialect, and meter, while also being attentive to the history of scholarship that attends on these traditions. We will continue to read a lot of Greek. 

This is the first quarter of a two-part course that will cover the long life of ancient Greek poetry and prose, touching on many genres in their first forms: epic and hymns, history, oratory, and philosophical dialogues, poetry that is theogonic, iambic, elegiac, lyric, epinician, tragic, comedic, and dithyrambic. We will seek to discuss key moments, passages, and poems that give us entry to larger literary questions and themes. We will pay particular attention to details of genre, dialect, and meter, while also being attentive to the history of scholarship that attends on these traditions. We will read a lot of Greek. 

In this course, we will read mostly Plato, also some Aristotle. 

This course will examine the iambic, elegiac, lyric, and epinician genres of archaic and classical Greece, including the poetry of Sappho, Archilochus, Corinna, Bacchylides, Pindar, and many other. We will focus on questions of performance, genre, and context; on the texts’ relationships to each other and other ancient poetic traditions; and to a broad range of cultural, social, and political aspects of the archaic and classical Greek world(s), including sex and sexuality, class, gender, and other forms of identity, and the relationship of the individual to the community. The mythological, dramatic, and formal poetic aspects of these poems will be explored as well as questions of meter and dialect.

This course examines the portrayal of female villains in Greek tragedy. We will read plays by the three major tragedians, focusing on their depictions of Clytemnestra, the Furies, Phaedra, Medea, and Helen, as it relates to questions of gender, mythmaking, power, and reception. We will discuss the societal dynamics and generic norms through which those characters emerge and we will explore their intertextual journey through myth and literature, ancient and modern. Key questions of the course include: What makes a woman evil? How is the evil female constructed through the writing, visuals, and performance of tragedy? What does it mean to present an evil female in a genre where all writers and actors are male? To what extent does tragedy shape and reflect the patriarchal structures of the Athenian society? All readings will be in English.

This course examines the portrayal of female villains in Greek tragedy. We will read plays by the three major tragedians, focusing on their depictions of Clytemnestra, the Furies, Phaedra, Medea, and Helen, as it relates to questions of gender, mythmaking, power, and reception. We will discuss the societal dynamics and generic norms through which those characters emerge and we will explore their intertextual journey through myth and literature, ancient and modern. Key questions of the course include: What makes a woman evil? How is the evil female constructed through the writing, visuals, and performance of tragedy? What does it mean to present an evil female in a genre where all writers and actors are male? To what extent does tragedy shape and reflect the patriarchal structures of the Athenian society? All readings will be in English.

This course offers a survey of the fundamentals of pedagogy for the ancient language classroom with an emphasis on introductory and intermediate instruction.  Topics include methods of language teaching, language skills and proficiency, modes of assessment, course design, textbook selection, educational technology, online resources, lesson planning, effective presentation, support materials, and the principles and practices of classroom management.  Activities include the creation of sample materials and mock teaching.  Students who successfully complete this course will acquire a foundation in language pedagogy and be well prepared for introductory and intermediate instruction in languages such as Latin and ancient Greek.

Martial’s epigrams can be funny, obscene, groveling, literary, outrageous, illuminating, and more.  In this course we’ll read a selection from the many volumes he wrote, starting with the fascinating Liber de Spectaculis describing apparent snuff plays. We will be using the epigrams as a window into different aspects of first century imperial Roman culture, including doctors, criminal justice, mythology, misogyny, city life, intertextuality, sexuality, obscenity, politics, and more.  Please be aware that he can be very vulgar.