Spring

Immerse yourself in real writings from Ancient Rome, and the long subsequent tradition of Latin literature. This course involves reading selections from a major monument of Roman literature (for instance, Vergil's Aeneid). There will be discussion of the relationship between language and literary art, the legacy of the work or works studied, and study of grammar and vocabulary as necessary.

For centuries people have learned this language to go deeper into the thoughts and worlds of Ancient Rome, the Middle Ages, and the Renaissance. In this course sequence, you too can begin to learn this language. LATN 103 continues the study of basic Latin. Course work involves reading Latin, writing individual sentences and coherent stories, formal study of grammar and vocabulary, and other linguistic skills as necessary. Throughout the course, students will encounter authentic Latin text. Students who complete this course will be able to track ideas across at least a paragraph of text and will be ready to move into the intermediate sequence (LATN 20100, 20200, 20300). This course is appropriate for students who have completed LATN 102 or equivalent work.

Immerse yourself in real writings from Ancient Greece. This course involves reading selections from a major monument of Greek literature (for instance, The Iliad). There will be discussion of the relationship between language and literary art, the legacy of the work or works studied, and study of grammar and vocabulary as necessary.

War and its fallout have been a central part of the human experience, sparking the fascination of poets and audiences alike. Along with war comes the concept of peace, both in life and in poetry. In this course, we will use poetry and poetic texts to explore different possibilities for understanding the fundamental tension that exists between the quasi-universal notion that “no one is so foolish as to choose war over peace” (Herodotus, 1.87), and the fact that war has been our constant companion. Along the way, we will examine how poets across a spectrum of cultures, eras, and genres have given life to rich expressions of hope, fear, and everything in between, and ask ourselves how these poets succeed in illuminating these parts of the human experience, and to what effect. Homer and Vergil will be our guides through the first part of the quarter, but in the second half we will explore poetries of war and peace from around the world, up to the present.

Ancient Greek Philosophy was remarkable for the creation of three main types of philosophy after Aristotle: Epicureanism, Stoicism, and Skepticism. Marx admired this trio as a highlight of Greek philosophy. Differing fundamentally from each other, Epicureanism relies on the evidence of the senses and proposes pleasure as the goal of life; Stoicism values morality as a way of attaining union with god; the Skeptics reject both. Each type of philosophy responded dynamically to the others and kept evolving by continually adapting to diverse social circumstances, both Greek and Roman. Each also had a lasting influence on the development of later European philosophy. We will trace their significance by reading texts in English translation; no Greek or Latin is required.

How appropriate or useful is the application of the idea of “race” to practices in ancient Greece and Rome? What revelations about the classical or modern and contemporary worlds does the idea of “race” afford? Race has long been considered a modern phenomenon, traceable in such practices as the Transatlantic Slave Trade. Recent scholarship has identified race (or racialization, at least) in the European Medieval period and the Renaissance. In this class, we will evaluate the scholarship of race in classical antiquity and the texts and artifacts upon which it relies.

Substantial selections will be read from Cato, Caesar, Cicero, Sallust, Livy, Seneca, Pliny, and Tacitus with an eye toward how the collapse of the Roman Republic affected literary expression.

Plautus' Pseudolus is read in Latin, along with secondary readings that explain the social context and the theatrical conventions of Roman comedy. Class meetings are devoted less to translation than to study of the language, plot construction, and stage techniques at work in the Pseudolus.

War and its fallout have been a central part of the human experience, sparking the fascination of poets and audiences alike. Along with war comes the concept of peace, both in life and in poetry. In this course, we will use poetry and poetic texts to explore different possibilities for understanding the fundamental tension that exists between the quasi-universal notion that “no one is so foolish as to choose war over peace” (Herodotus, 1.87), and the fact that war has been our constant companion. Along the way, we will examine how poets across a spectrum of cultures, eras, and genres have given life to rich expressions of hope, fear, and everything in between, and ask ourselves how these poets succeed in illuminating these parts of the human experience, and to what effect. Homer and Vergil will be our guides through the first part of the quarter, but in the second half we will explore poetries of war and peace from around the world, up to the present.

Ancient Greek Philosophy was remarkable for the creation of three main types of philosophy after Aristotle: Epicureanism, Stoicism, and Skepticism. Marx admired this trio as a highlight of Greek philosophy. Differing fundamentally from each other, Epicureanism relies on the evidence of the senses and proposes pleasure as the goal of life; Stoicism values morality as a way of attaining union with god; the Skeptics reject both. Each type of philosophy responded dynamically to the others and kept evolving by continually adapting to diverse social circumstances, both Greek and Roman. Each also had a lasting influence on the development of later European philosophy. We will trace their significance by reading texts in English translation; no Greek or Latin is required.