Graduate

Is solitude a good thing? In this course, we will explore how the poets and philosophers of archaic and classical Greece thought about aloneness, particularly the powers and perils of solitude for the individual and the community. We will read portions of Homer’s Iliad, Hesiod’s Theogony, Sophocles’ Philoctetes, and the Homeric Hymn to Demeter, together with excerpts of ancient philosophy, with an aim of thinking through the relationship between individual and community, which is fraught with tension in so many time periods and cultures. We will also reconsider our understanding of the ancient Greeks as primarily “public” in their motivations and values, in light of the array of possibilities offered by solitude in many of these texts.

This course is a practical introduction to the styles of classical Latin prose. After a brief and systematic review of Latin syntax, we combine regular exercises in composition with readings from a variety of prose stylists. Our goal is to increase the students' awareness of the classical artists' skill and also their own command of Latin idiom and sentence structure.

Undergraduates consent of instructor.

The object of the course is to acquiant ourselves with several philosophical works among Augustine's earliest writings. We will read Augustine's De magistro in Latin. Written in 389, it represents a dialogue with his son, Adeodatus, on the nature of language. We will also read four other works of Augustine in English: Soliloquies, De Ordine, Contra Academicos, and the autobiographical books of the Confessions. Alongside these are assigned some notable works of secondary literature on the Augustine's philosophy of language and epistemology.

The goal of this course is threefold: 1. To read through some 1500 lines of Lucan’s epic on the war between Caesar and Pompey in Latin; 2. To read all of the epic in English; 3. To explore and discuss the critical responses to this work in the 20th century, including literary, philosophical, and psychological frameworks.

Online Materials: Bibliography at http://www.let.kun.nl/V.Hunink/documents/lucanbciii biblio-graphy.html.
Full Latin text at http://www.thelatinlibrary.com/ lucan.html.

We read the text of the historian in Greek and contextualize his contribution to the classical period, with some discussion of his perspectives on the past, people, and artifacts he records.

This seminar will study claims to Roman identity across cultures, regions, and periods. Who belonged to the Roman community at any time and who was excluded? How did foundation narratives, asylum, conquest, the expansion of citizenship, notions of ethnicity, processes of assimilation, and the passage of time shape the contours of groups who saw themselves as Roman? Literature in many genres and languages, and over many centuries, addresses these questions. The course will not be limited to the ancient Roman experience but will expand to include claims in the medieval West and especially the eastern Roman empire, aka Byzantium. A self-defined Roman community persisted there longer than elsewhere, in fact down to the present. Selected claims to be the new Romans in the medieval and modern West will also be examined. Students will read and discuss original sources (in Greek and Latin, depending on their language skills) and modern scholarship. MA students and undergraduate students (by instructor permission) are welcome.

The class will study the history of the Roman republic in light of contemporary normative theory, and likewise interrogate the ideological origins of contemporary republicanism in light of historical concerns. The focus will be on sovereignty, public law, citizenship, and the form of ancient empire.

We shall read extended selections from poetry writers of recognized importance to the Latin tradition. Our sampling of texts will emphasize writers of the Late Republic and Early Principate.

We shall focus on prose and poetry from the Carolingian Renaissance that reflects the age’s revived emphasis on a classical forms and grammar.

This class on Euripides’ Medea will work in lockstep with an upcoming production at the Court Theatre of the Luis Alfaro’s Mojada, a Medea that will be set in the Chicago neighborhood of Pilsen, which examines the tragedy of the American immigration system through the story of one family from Mexico. We will discuss the construction of the play through its performance, both in its original setting and each time it is adapted and staged, and will examine the circumstances of immigration in American portrayed by Luis Alfaro, who will be involved in the course as well as the production. We will attend rehearsals and talk to the director, crew and performers of the play as the production takes shape and will also attend the play at the end of the term. Readings will include Medea by Euripides, as well as a number of adaptions and critical texts. (No knowledge of Greek is required for the course, but those who wish to take it as a Greek course will have additional reading assignments in Greek.)