Biography and Interests:
My research focuses on the intersection of ideology and literary form, particularly in Roman literature and its reception. Trained as a literary scholar, I have become more interested in politics over time. Current projects include: the exemplum and exceptional politics from Cicero to Augustus; shifts in Roman political thinking about safety and security at the transition from Republic to Empire; the reception of Roman civil war tropes in nineteenth century French literature in collaboration with Barbara Vinken; a volume on exemplarity and singularity, co-edited with Susanne Luedemann; thinking through tropes, a faculty seminar funded by the Neubauer Collegium (http://neubauercollegium.uchicago.edu/faculty/thinking_through_tropes/) ; transformations in the public sphere between Cicero and Horace.
Published work ranges over Arendt, Austin, Agamben, Augustus, Baudelaire, Blanchot, Hermann Broch, Bourdieu, Judith Butler, Caesar, Catullus, Cicero, Derrida, Horace, Livy, Machiavelli, Mérimée, Ovid, Propertius, and Vergil. At New York University, I co-founded the graduate certificate program in Poetics and Theory, which collaborated closely with the Viadrina University at Frankfurt/Oder for a decade.
Interdisciplinary conferences organized in recent years have focused on republicanism, security, the reception of Rome as a political model, conceptions of political violence, and exemplarity. Honors include: Burkhardt Fellowship from the ACLS and membership at the Institute for Advanced Study in Princeton (2000-01); visiting research professorship at the Warburg-Haus in Hamburg (2005); fellowship from the Research Center for Cultural Theory and Theory of the Political Imaginary at the University of Konstanz (2010-11); fellowships from the Center for Advanced Studies at Ludwig-Maximilian’s University in Munich (2012-13, 2014).
Books (sole author or editor):
- Writing, Performance, and Authority in Augustan Rome (Oxford University Press 2009).
- Oxford Readings in Classical Studies: Horace’s Odes and Epodes (Oxford University Press 2009).
- Horace’s Narrative Odes (Oxford University Press 1997).
The Egyptian Within: A Roman Trope for Civil War,” Barbara Vinken (ed.), Translatio Babylonis: Unsere Orientale Moderne, Fink (2015) 13-28 - http://www.literaturkritik.de/public/rezension.php?rez_id=21236
“Rege incolumi: Orientalism and Security at Georgics 4.212,” in Virgilian Studies: A Miscellany Dedicated to the Memory of Mario Geymonat (26.1.1941 – 17.2.2012), ed. Paolo Fedeli and Hans-Christian Günther. Nordhausen: Verlag Traugott Bautz (2015): 322-44
“Poetics and Theory: A Graduate Certificate Program at New York University,” in Literary Theory in Graduate and Undergraduate Classics Curricula, Nigel Nicholson (ed.), Classical World, Paedagogus section, 108.2 (2015) 255-68
- “Politics by Other Means: Horace's Ars Poetica, ” in A. Ferenczi and P. Hardie, eds. New Approaches to Horace’s Ars Poetica, Materiali e Discussioni 72.1 (2014) 121-42.
- “Foundation and Closure,” in The Door Ajar: False Closure in Classical Antiquity, ed. Farouk Grewing and Benjamin Acosta-Hughes, Winter Verlag, Heidelberg (2013) 83-102
- “Divided Voices and Imperial Identity in Propertius 4.1 and Derrida, Monolingualism of the Other and Politics of Friendship,” Dictynna 8 (2011) at http://dictynna.revues.org/711 (56 paragraphs; posted 25 October, 2011)
- “Spurius Maelius: Homo Sacer and Dictatorship,” in Brian Breed, Cynthia Damon, Andreola Rossi (eds.) Citizens of Discord: Rome and its Civil Wars, Oxford University Press 2010: 171-86.
- “Performance,” for Oxford Handbook of Roman Studies, edd. Alessandro Barchiesi and Walter Scheidel, Oxford (2010) 281-94.
- “Vergil and Founding Violence,” (2005) reprinted in shortened form in Blackwell’s Companion to Virgil and the Vergilian Tradition, eds. Joseph Farrell and Michael C. J. Putnam, Blackwell (2010) 391-403.
- Augustan Culture
- Civil War in Lucan and Flaubert (with Barbara Vinken)
- Caesar and his Reception
- Mythical History/Paradigmatic Figures: Alexander, Caesar, Augustus, Charlemagne, Napoleon (with Robert Morrissey)